Tickets Now Online for “Seikilos to U2″

T minus 7!

We’re a week away from our last concert of the season. “Seikilos to U2″ promises to be a great show! We are delighted to tell you that in addition to our ambitions – of covering 2000 years of Western Music History in 90 odd minutes (including intermission, because why do anything by half measure?!) – you can also expect a pre-concert talk by our creative director, Jennifer Rodgers Beach.

In her own words, you can expect much music geekery, including “Gregorian chant as medieval scat.” Really, you gotta be there.

This is also our season’s concert for a cause, to support arts education in Fairfax County and beyond. And to that end, we’re also very proud and delighted to partner with two great organizations, OneVoice and Creative Cauldron, who represent the best of that mission.

OneVoice brings together children from across the globe through the universal language of music – OneVoice helps them sow the seeds of peace, love, and understanding in themselves. Or as they put it, brilliantly, “Power to the (little) people.”

And in fact, money raised at this event will fund art supplies (brushes, paint, paper) and music supplies (recorders) for the children at the Kakenya Center for Excellence (www.kakenyasdream.org), the primary school that OneVoice will be visiting in Kenya in just a few weeks.

Closer to home, Creative Cauldron is a not-for-profit arts organization providing opportunities for learning and participation and enjoyment of the performing and visual arts whether you’re eight or ninety-eight. Each year, Creative Cauldron provides about 7,000 in scholarships, so that children from families with financial need can participate in its after school and summer camp programs.

Please do come! We’ve had one of our most successful seasons and we’d love to finish it on a high note and with a full house. We still have plenty of tickets. And you can now avoid the rush at the door and buy them online!

 

Singing In The Round

 

The Danish Radio Concert Hall, Copenhagen (2009), designed by the French architect Jean Nouvel

The Danish Radio Concert Hall, Copenhagen - terraced seats allow for a better view and sound for all.

Ada Lousie Huxtable’s review of Victoria Newhouse’s book, “Site and Sound” is good reading for anyone who enjoys live music, especially of the formal-ish/performed in a concert hall variety of live music. Huxtable, like many others, makes some trenchant observations of how our idea of performance spaces came to be and, frankly, how lame they are at times.

What really happened during the Byzantine artistic and political process of creating Lincoln Center? How did a group of “patrician white males,” as she so coolly characterizes them, and a consortium of architects working at a time when modernism had developed its own “establishment power elite” create the model that set the conservative consensus for a generation of performing-arts centers that followed? (Think Washington’s Kennedy Center, a bland box of posh banality in a location of daunting public inaccessibility.)

Needless to say, that last bit about the Kennedy Center resonates. And then some!

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VCS’ Mark Vogel And The Washington Master Chorale

Mark Vogel, Aesop's Fables, March 2011

Mark Vogel, at Aesop's Fables, March 2011

You know that image of the swan? The one where all you see is the quiet, graceful, efficient glide above the water while the feet are pedaling furiously under the surface? Yeah, that’s Mark Vogel for you.

Mark, the VCS accompanist, is yin to creative director Jen Rodgers Beach’s yang – her job is to  lead, push, energize, make us stand up (which is a good thing by about 9:15 pm in the comfortable, softly lit space where we rehearse). The music can turn on a dime and joyfully does when we’re all going with the flow.

Amid all that is Mark – who we always hear at the piano, but sometimes never actually hear from, who changes course, slows down, speeds up, stops or turns on that dime from behind the piano. All of it effortlessly and with great kindness for those of us (a-AHEM) who are more clueless than the rest. And as it turns out, there’s a LOT of pedaling* in Mark’s life outside VCS.

Mark is accompanist with the Washington Master Chorale, which has a concert coming up – April 22, 2012, at 4 pm, at the Saint Luke Catholic Church in McLean VA. More important, Mark will be performing a solo piano piece by Ravel.

Here’s all the info if you’d like to attend, along with discount codes for cheaper tickets if you buy online:

Buy tickets online here: http://theravishinghourmcclean.eventbrite.com/
Orc-20 will reduce the $30 orchestra seats to $20
Stu-10 will reduce the $15 student tickets to $10

Mark Vogel at VCS rehearsal, March 2012

Mark (far back, at piano) at VCS rehearsal, March 2012

* In his own words: WMC is my Monday night group. VCS is my Tuesday night group. And UUCF is my Thursday night group. I haven’t seen prime time television in a long time!!